Alt Rock

U2 – ‘Songs of Surrender’ Album Review

Photo Credit: Kurt Iswarienko When Taylor Swift decided to re-record some of her earlier albums (most recently, Red), she was a woman on a mission. “I do want my music to live on,” she told Billboard in 2019. “I do want it to be in movies, I do want it to be in commercials. But… Read more

MMM Top Ten: 10 Artists on the Rise in 2023

In 2022, the indie music scene saw rising stars like Wet Leg, Ethel Cain, and rappers J.I.D. and Denzel Curry. However, in 2023, we can expect to see a surge of emerging R&B, pop, hip-hop, and much more with artists such as Ice Spice, Chlöe, and RAYE. Below are ten of the most exciting artists… Read more

You Me At Six – ‘Truth Decay’ Album Review

Photo Credit: Freddie Stisted Surrey’s You Me At Six enjoyed modest commercial success in their home country during the late 2000s and early 2010s, with five Top 40 singles and two chart-topping albums to their name. If any mid-sized band should be set for a revival of fortunes, it should be this English quartet –… Read more

Pierce The Veil – ‘The Jaws of Life’ Album Review

Photo Credit: Celia Kenyon From the very first moments of their newest album, the now-trio emo rockers Pierce the Veil want you to know this isn’t just another generic pop-punk revival album – an intense swirl of sirens reaches almost deafening heights, suggesting this is going to be an album that has more in common… Read more

Fall Out Boy – ‘So Much (For) Stardust’ Album Review

Photo Credit: Pamela Littky Fall Out Boy’s newest album, So Much (For) Stardust, begins with a dramatic, repeating piano line and a luscious arrangement of strings – it sounds like the sort of thing that should kick off some epic, wildly expensive action movie. Then, the song abruptly switches gears into the sort of frenetic… Read more

Bad Omens – ‘THE DEATH OF PEACE OF MIND’ Album Review

Photo Credit: Bryan Kirks Quantity doesn’t equal quality is undoubtedly an adage born out by the ongoing pop/rock-punk revival – we’re getting more releases from the genre than at any time since its mid-2000s peak, yet whereas the genre’s standard bearers were once My Chemical Romance and Avril Lavigne, it’s now Machine Gun Kelly and… Read more

Arctic Monkeys – ‘The Car’ Album Review

Photo Credit: Zackery Michael On their seventh studio album The Car, the Arctic Monkeys continue the musical road trip that they set out on with their previous release, Tranquility Base Hotel & Casino (2018). The Sheffield, England quartet which became known (and renowned) for their brand of fast, kinetic, mile-a-minute Britpop delivered with a punk… Read more

Matt Maeson – ‘Never Had to Leave’ Album Review

Photo Credit: Jimmy Fontaine / Atlantic Records While the cover artwork and a couple of the song titles (“Blood Runs Red,” “Lawless Dream,” “Twisted Tongue”) might suggest that it’s a heavy metal album, Matt Maeson’s second full-length album Never Had to Leave is instead a tight and compelling collection of well-produced alternative rock and folk… Read more

Dayseeker – ‘Dark Sun’ Album Review

Photo Credit: Amber Paredes Dayseeker – the Orange County quartet formed a decade ago – has always been a difficult band to categorize. “Post-hardcore” and “metalcore” are the labels most frequently assigned to the band, but said labels tend to obscure the nuances and peculiarities of their sound – their inclusion of synths, their capacity… Read more

The 1975 – ‘Being Funny In A Foreign Language’ Album Review

Photo Credit: Samuel Bradley In 2020, The 1975 attempted to take their music to new heights with an expansive, experimental double LP. Whereas many of their peers – from Taylor Swift to Fiona Apple – gained acclaim for branching off in new directions that year, The 1975’s Notes On A Conditional Form proved divisive; one… Read more