Indie Pop

G Flip – ‘Drummer’ Album Review

Photo Credit: Nazrin Massaro There’s one instrument that dominates the new album by Georgia Flipo (AKA G Flip) and you don’t get points for getting which one it is – it’s there in the album title, and the album art and is made obvious within the album’s first few songs. This is a return to… Read more

Post Malone – ‘Austin’ Album Review

Photo Credit: Meg Young Post Malone’s fourth LP, Austin, has been a long-awaited masterpiece that showcases his evolution as an artist. In an ever-changing and diverse music landscape, Post Malone stands out as a genre-blurring maverick, seamlessly weaving elements of hip-hop, pop, and rock into a tapestry that’s uniquely his own. Austin is not just… Read more

The Aces – ‘I’ve Loved You For So Long’ Album Review

Photo Credit: Julian Burgueño California quartet The Aces are part of a growing group of alt-pop artists using the genre to tell compelling female-led, unapologetically queer stories (see also: Carlie Hanson and Hayley Kiyoko). On their new album, I’ve Loved You For So Long, The Aces best showcase their strength in this area on the… Read more

Ellie Goulding – ‘Higher Than Heaven’ Album Review

Photo Credit: Madison Phipps Ellie Goulding has made a point of describing her fifth album Higher Than Heaven as her “least personal album” to date. In an age of pop music geared towards the confessional and emotionally weighty, many fans have welcomed Goulding’s embrace of a pop ethos that prioritizes massive hooks, earworm melodies, and… Read more

Carlie Hanson – ‘Wisconsin’ Album Review

Photo Credit: Samantha Harter Ever since 2018’s “Only One,” Wisconsin’s Carlie Hanson has felt like an indie cult star perpetually on the brink of a major breakout – the charms of her evocative, homespun indie-pop and pop-punk immediately obvious. Her sophomore album, which shares a name with her home state, might be too quiet and… Read more

Aly & AJ – ‘With Love From’ Album Review

Photo Credit: Stephen Ringer In 2020, Aly & AJ’s 2007 single “Potential Breakup Song” went unexpectedly viral on TikTok. It’s a testament to the duo’s artistic integrity that on 2021’s A Touch of The Beat… – their first album in 14 years – and now, on With Love From, they don’t shamelessly try to recreate… Read more

Caroline Polachek – ‘Desire, I Want to Turn Into You’

Photo Credit: Aidan Zamiri Although some synth-pop nerds might remember Chairlift, most people probably heard the name Caroline Polachek for the first time when she started her solo career in 2019 with Pang and her shimmering indie-pop hit “So Hot You’re Hurting My Feelings.” Now, on her second solo effort, Desire, I Want to Turn… Read more

Weyes Blood – ‘In Holy Flux’ Europe & UK Tour 2023 Concert Review

Photo Credit: Douglas Dahlström Still jet-lagged at the second stop of her In Holy Flux-tour, Natalie Mering – professionally known as Weyes Blood – certainly made Stockholm’s hearts aglow. Under the huge crystal crown inside of the big saloon at the sold-out, historical Berns Hotel & House of Entertainment in central Stockholm, Sweden, a crowd… Read more

Alvvays – ‘Blue Rev’ Album Review

Photo Credit: Eleanor Petry Taking its title from a popular alcoholic beverage of her youth, Molly Rankin and her band members reach new heights on their delayed third album. “’cause we’re always…,” Molly Rankin assures halfway through a sentence on the second track of Alvvays’ new record, almost as if she felt a reminder could… Read more

The 1975 – ‘Being Funny In A Foreign Language’ Album Review

Photo Credit: Samuel Bradley In 2020, The 1975 attempted to take their music to new heights with an expansive, experimental double LP. Whereas many of their peers – from Taylor Swift to Fiona Apple – gained acclaim for branching off in new directions that year, The 1975’s Notes On A Conditional Form proved divisive; one… Read more